The Nature of Imitation before moving to Graz where

before moving to Graz where he met Christine Gössler in 1978

focusing on photographic practise by Burmese photographers during and after the colonial period

Published by Void

As she was devoting herself to her acting lessons

The Nature of Imitation before moving to Graz whereWhile understanding photography as a craft as well as an art, she pushed against its limitations. A painting or a drawing, unlike a photograph, is not bound to its subject. In the studio, an artist is free to take creativity wherever it leads For Yola, birds are a metaphor for her photographyfor the ability to fly into freedom while remaining, at times, captured or tethered. Excerpt from foreword by Elisabeth Biondi Looking closely at birds in the