The Paris Trilogy no-tag as well as his fantastic

as well as his fantastic visions for a better tomorrow with “The Living City

and women crucified into madness by misogyny

The Fortress of Solitude

Wes Anderson's beloved films announce themselves through a singular aesthetic - one that seems too vivid

The Paris Trilogy no-tag as well as his fantasticThe Paris Trilogy is celebrated French author Colombe Schneck's first English language publication, translated by Lauren Elkin and Natasha Lehrer. Writing in response to Annie Ernaux and in conversation with Elena Ferrante, Colombe Schneck's three semi autobiographical takes on a womans life form an elegant, powerful exploration of sexuality, bodily autonomy, friendship, loss and renewal. Colombe is seventeen in 1984 and carefree, busy discovering sex